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Sofia Coppola’s new film Priscilla is caught in a bind. How is it possible to be true to Priscilla Presley’s story without significantly tarnishing the Elvis legend that Priscilla herself has worked so hard to promote? And how do you ask an audience to relate to a woman who has made it her life-long business to remain unknowable, even in the memoir on which the film is based, 1985’s Elvis and Me?
‘Uncomfortable’ sex and visits to the morgue: what Priscilla doesn’t tell you about life with Elvis